Compositeur{s} au Moyen Âge

• 9:00 Accueil et café des participants
• 9:40 Mot de bienvenue (organisateurs)

Introduction

9:50-10:20 Mark Everist (University of Southampton)Facere, componere, invenire : vivre en compositeur au Moyen Âge

• 10:20-11:00 Brianne Dolce (Yale University/Universiteit Gent)Who Composed in Medieval Arras? Prosopographical Possibilities in the Necrology of the Confraternity of Jongleurs and Bourgeois
• 11:00-11:20 Pause
• 11:20-12:00 Lori Kruckenberg (University of Oregon)‘Compositio’ in the Hands of Cantrices: Two Case Studies on Musical Composition by Women Religious in Ottonian and Salian Germany
• 12:00-12:40 Mary Wolinski (Western Kentucky University)Philip the Chancellor, William of Auvergne, and the Preacher’s Art

• 14:00-14:40 David Maw (Oriel College, Oxford)Individuating Dissonance: ‘Composerly’ Identity in Fourteenth-Century French Secular Music
• 14:40-15:20 Charles Brewer (Florida State University)Planctus ante nescia: Questions of Attribution and Inspiration
• 15:20-15:50 Marie-Geneviève Grossel (Université technologique des Hauts-de-France Valenciennes)Composition/compositeur chez les trouvères, le point de vue du philologue
• 15:50-16:10 Pause

• 16:10-16:50 Catherine A. Bradley (University of Oslo)Adam de la Halle’s Intergeneric Self-Citations
• 16:50-17:30 Christopher Callahan (Illinois Wesleyan University)Les premiers manuscrits d’auteur comme témoignages du réseau poético-social

• 9:00-9:40 Manon Louviot (Universiteit Utrecht)Genre et autorialité dans le motet Ferre solet/Anatheos de gracia/Ave Maria (XIV^e siècle)

• 9:40-10:20 Margaret Bent (All Souls College, Oxford)Paradox and Typology in Late-medieval Ascriptions and Attributions

• 10:20-11:00 Yolanda Plumley (University of Exeter)Composing Ars nova Chansons: Encounters between Poets, Composers and Minstrels

• 11:00-11:20 Pause

• 11:20-12:00 James Blasina (Swarthmore College)Composing Chant in Rouen: Ainard of Dives and the Ste-Catherine-du-Mont Office of St. Katherine of Alexandria
• 12:00-12:40 Karen Desmond (Brandeis University)A Single Compositional Hand in the Ob Rawl Fragments? William of Wicumbe and English Polyphonic Practice c. 1250
• 12:40-14:30 Déjeuner

• 14:30-15:10 Federico Zavanelli (University of Southampton) et Giacomo Ferraris (Università degli Studi di Pavia)Rewriting the Tradition: Multiple Transmission of Five Madrigals from the Rossi Codex
• 15:10-15:50 Joseph Mason (New College, University of Oxford)A Jeu-parti Problem? Multiple Melodies and their Composers at the Arras Puy
• 15:50-16:10 Pause

• 16:10-16:50 Anne Ibos-Augé (C.E.S.C.M. Poitiers)Du « Boscu d’Arras » à Adam de la Halle : la fabrique d’un compositeur
• 16:50-17:30 Anna Zayaruznaya (Yale University)On the Epochs of Music History and the Spans of Human Lives